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"This work examines and critiques the prevalence of "performance spaces" for lesbian identities in films, evaluating how queer femaleness is signified on the screen in contemporary cinema. New York: Oxford University Press, 1988."Queer Bollywood, or 'I'm the Player, You're the Naive One': Patterns of Sexual Subversion in Recent Indian Popular Cinema." In: Keyframes: popular cinema and cultural studies / edited by Matthew Tinkcom and Amy Villarejo. Some of those East Asian film and video representations are examined.

Culture and the moving image "Visible silence: spectatorship in Black gay and lesbian film." In: Representing Blackness: issues in film and video / edited with an introduction by Valerie Smith. New York: Routledge, 2002."Lesbian and gay documentary: minority self-imaging, oppositional film practice, and the question of image ethics." In: Image ethics: the moral rights of subjects in photographs, film, and television / edited by Larry Gross, John Katz, Jay Ruby. "The third body: patterns in the construction of the subject in gay male narrative film." In: The visual culture reader / edited, with introductions by Nicholas Mirzoeff. "'A Queer Feeling When I Look at You': Hollywood Stars and Lesbian Spectatorship in the 1930s." In: Multiple Voices in Feminist Film Criticism / Diane Carson, Linda Dittmar, and Janice R. Additionally it argues that by inviting mainstream audiences to read the program within familiar televisual flames, Will & Grace can be read as reinforcing heterosexism and, thus, can be seen as heteronormative." [Expanded Academic Index] Author's Abstract: "In a recent essay about gay life in Asia, Dennis Altman (1995) noted that "the past decade has seen the growth of a commercial gay world beyond its few existing bastions such as Bangkok and Tokyo to cover most of the countries of Asia." In a previous article focusing on East Asia, the author pointed out that this development is being complemented by increased film and video representation of gay men and, to a lesser extent, lesbians and other queer characters and communities.

"Black lesbian spectatorship and pleasure in popular cinema." In: A Queer romance: lesbians, gay men, and popular culture / edited by Paul Burston and Colin Richardson. pp: 59-78 New queer cinema: an introduction / Michele Aaron -- New queer cinema / B. Pearl -- The characteristics of new queer filmmaking: case study - Todd Haynes / Michael De Angelis -- Camp and queer and the new queer director: case study - Gregg Araki / Glyn Davis -- Art cinema and murderous lesbians / Anneke Smelik -- New queer cinema and experimental video / Julianne Pidduck -- New queer cinema and lesbian films / Anat Pick -- New queer cinema: spectacle, race, utopia / Daniel T. Topics includes the influence of history on gay sexual culture and an analysis of the portrayal of homosexuality in film and literature.

Minneapolis, Minn.: University of Minnesota Press, c1996. "Bad Asians: new film and video by queer Asian American artists." In: Countervisions: Asian American film criticism / edited by Darrell Y. Culture and education series"Birth of a Notion: Towards Black Gay and Lesbian Imagery in Film and Video." In: Queer Looks: Perspectives on Lesbian and Gay Film and Video / editors Martha Gever, Pratibha Parmar, John Greyson. New York: Routledge, 1993."Pigs and Provos, Prostitutes and Prejudice: Gay Representation in Irish Film, 1984-1995." In: Sex, Nation, and Dissent in Irish Writing / edited by Eibhear Walshe. Oxford ; New York: Oxford University Press, 1998."What a difference a gay makes: marriage in the 1990s romantic comedy." In: Falling in love again : romantic comedy in contemporary cinema / edited by Stacey Abbott & Deborah Jermyn. Deviant Eyes, Deviant Bodies: Sexual Re-orientations in Film and Video / Chris Straayer. Indeed, as the politics of both the outmoded Confucian family and fractured Chinese nationhood intersect, what the sad young (gay) man rebels against is a political fluctuation which is no longer fixed; as the young man's opposition is no longer fixed, so too does he become alienated even from his own rebellious cause." "The gay take on 'straight' makes its way into the movies; these days heterosexuals are just as likely to be caricatured as homosexuals." The New York Times June 8, 1997 v146 s2 p H1(N) p H1(L) col 3 (51 col in) This article discusses the role of memory on homosexual identity and activism.

In many film and literary representations, we find, again, the centrality of friendship life for offering gay and lesbian youth such an alternative space and relational logic for their tentative, circumlocutory, and often risky explorations.

(includes related information on four films with a gay theme)." Time v147, n11 (March 11, 1996):66 (3 pages). 335 Author's Abstract: COPYRIGHT 2000 Haworth Press, Inc.

""A treatise on decay" : liberal and leftist critics and their queer readings of Depression-era U. film." In: Looking past the screen : case studies in American film history and method / edited by Jon Lewis and Eric Smoodin. "Screening Lesbians." In: The New Lesbian Studies: Into the Twenty-First Century / edited by Bonnie Zimmerman and Toni A. He goes on to explore viewers' behavior inside the porno-arcade/theater, arguing that the exhibition of gay pornography makes possible a space in which dominant forms of sexual subjectivity can be (re)produced, challenged, countered, and violated." [Art Abstracts] " The Final Frontier: Two New Movies ["Birdcage" and "Celluloid Closet"] Pose the Question, Can't Hollywood Treat Gays Like Normal People?

"When Lambs and Aliens Meet: Girl-Faggots and Boy-Dykes Go to the Movies." In: Cross-Purposes: Lesbians, Feminists, and the Limits of Alliance / edited by Dana Heller. Two very differentlyconceived lesbian and gay festival organizations, sites at which decision making about collective identity is ongoing andself-conscious, are examined.

pp: 95-106 Bloomington, IN: Indiana University Press, c1997."Lesbians and Film." In: Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture / editedby Corey K. The analysis traces how each responds to two related tasks: maintaining community legitimacy,which requires racial diversification, and surviving within an altered institutional environment.

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